Britain’s National Trust Charity To Sell Fossil Fuel Assets

LONDON, July 4 (Thomson Reuters Foundation) – Britain’s National Trust will sell all of its investments in the fossil fuel industry by 2022, on Thursday night the conservation charity reported. 56.61 million) in fossil energy companies – 4% of its one billion-pound stock market profile – despite having itself warned of the hazards of climate change. But it will aim to offload nearly all purchases in gas and engine oil companies, which include Shell, BP, and Total, within 12 months, chief financial official Peter Vermeulen advised the Thomson Reuters Foundation by phone.

It will instead favor inexperienced startups and other companies that deliver positive environmental outcomes. The National Trust’s stock-market fund is an important source of revenue for the charity, which looks after coastlines, land, and historic properties across Britain. Vermeulen said not enough progress to have been made by coal and oil companies to changeover to a minimal carbon economy since the 2015 Paris climate agreement.

The move employs British charities and faith groups asked the government in March for legal guidance on buying companies that contribute to climate change. Both the National Trust and the Church of England were named on view letter to the government. Shareholder activism, where financial backers and panel associates press the companies they spend money on to make honest changes, keeps growing in prominence.

BP, for example, experienced pressure from shareholder organizations to set tougher focuses on to combat climate change at its twelve-monthly meeting in-may. Shareholder action, however, has yet to lead coal and oil companies to “materially change their behavior and invest significantly more than 10% of the capital investment into low-carbon technologies,” Vermeulen said. The charity invests 4.7 million pounds in companies that advance wind technology, energy storage and water efficiency, about 10% of its investments in the oil and gas industry. Reporting by Sarah Shearman @Shearmans, Editing by Tom Finn.

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